1. (Jeffrey Smith per Keith Wilson, July 8, 2008) Ceremonial object added as secondary classification.
2. (Daisy Yiyou Wang 王依悠, June 9, 2012) This ge 戈 is relatively broad. There is no clear division of the blade and the tang by recessed upper and lower edges as usually seen in other jade ge 戈. An example of early bronze ge 戈 from the Erlitou 二里頭 period has four parallel separate sections edged by slight ridges at the end of the butt. The serrated edge at the end of the butt of the Singer jade ge 戈 perhaps referenced earlier prototypes. The impression of crossing ropes near the serrated edge suggests that the five indentations served as the anchorage for the fastening ropes. See Jessica Rawson, Chinese Jade from the Neolithic to the Qing (London: British Museum Press, 1995), pp. 192--93.
3. (Najiba Choudhury per Keith Wilson, August 17, 2017) Title changed from "Dagger-axe (ge) with serrated tang, fragment" to "Dagger-axe (ge 戈) with serrated tang, fragment reworked"; period one changed from "Late Shang dynasty" to "early Shang dynasty"; date changed from "ca. 1300-1050 BCE" to "ca. 1600-ca. 1400 BCE"; medium changed from "Jade" to "Jade (nephrite)"; and removed period two as "Anyang period".
4. (Najiba Choudhury per Keith Wilson, February 5, 2019) Title changed from "Dagger axe (ge 戈) with serrated tang, fragment reworked" to "Dagger-axe (ge 戈), fragment reworked"; added Chinese translation by Jingmin Zhang; and added unpublished research by Louisa Fitzgerald Huber.
Draft catalogue entry (no. 91) for S2012.9.260 for the catalogue of the Singer collection (1970--90); by Louisa Fitzgerald Huber
Dagger-axe with Serrated Tang
Shang 商 dynasty, 14th--12th century BCE
Jade
Length 16 cm (63 in)
The short blade is evenly rounded along the edges, and the surfaces are smooth and without a median ridge. The tang, which is not recessed from the blade, is crenelated at the butt. Two conical perforations were drilled from the same side of the blade. The smaller hole closer to the tip is placed slightly above the center axis. The stone is bluish gray with tan and yellowish clouds; a discolored whitish patch across the tang shows a pattern of woven reeds, resulting from a chemical interaction with the material on which the blade rested during burial.
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