Red butterfly, to left of figure, with long tail ending with a graphite barb
Inscription(s)
Verso inscribed by Freer: Sketch for Fan / Given to me by Mr Whistler / August 1899 / CLF
Provenance
From 1899 to 1919
Charles Lang Freer (1854-1919), given by the artist in 1899 [1]
From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [2]
Notes:
[1] See List of Whistler Paintings, etc., Transferred to the Smithsonian Institution, January 3, 1921, pg. 2, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. The Registration number for this object was changed to correspond with the date of gift. On the back of the sketch, a note in Mr. Freer's handwriting states: "Sketch for Fan. Given to me by Mr. Whistler, August 1899. C.L.F." (according to Curatorial Remark 2 in the object record).
[2] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
Selected Curatorial Remarks
1. Lee Glazer, 2012: This fan relates to another autograph fan that Whistler signed in July 1895 and for which Design for a Decorated Fan (F1899.106) is a study. That fan, whose decoration was probably overseen by Walter Crane, included forty signatures of notable artists and musicians. As the composer Pablo de Sarasate y Navascues did in F1997.32, Crane also included musical notation along with their signatures. This work is now in a private collection in San Francisco and was exhibited in 2011 at the Victoria and Albert, the Musée d'Orsay, and the San Francisco Museum of Fine Arts in The Cult of Beauty exhibition.
Selected Published References
1. Curry: James McNeill Whistler at the Freer Gallery of Art, Pg. 207 Art and music are again associated in this tiny watercolor design of a girl dancing. Whistler was one of several artists who contributed to an elaborate wooden fan. Legible signatures include those of painters Millais, Lord Leighton, Alma Tadema, Burne-Jones, and the concert pianist Paderewski. The fan was decorated on both sides. A number of the signatures bear dates, suggesting that the fan was passed from hand to hand for decoration during the first half of 1895. While portrait busts dominate the decorations, Whistler's design incorporates an entire figure in a composition adapted to the rounded end of the fan rib (fig. 139.3). The artist made a pun upon the object decorated, for his little dancer holds a fan as well as embellishes one. The only other full figure visible in the photographs is Alma Tadema's woman seated upon a cushion (see fig. 139.1). The two women are symmetrically placed facing one another. Whistler's butterfly signature recalls the long-tailed insects that decorate The Gentle Art of Making Enemies, published in 1890, while his puckish little nude related to many drawings, paintings, and prints of dancing figures he created during the last decade of his career. The fan must have been a very special present for its lucky recipient. Whistler made a gift of his design to Freer in August 1899.
Chrome users: right click on icon, select "save link as..."
Internet Explorer users: right click on icon, select "save target as..."
Mozilla Firefox users: right click on icon, select "save link as..."