국문
강소연, 『잃어버린 문화유산을 찾아서』, 부엔리브로, 2007.
구진경, 「고려 아미타팔대보살도 도상의 성립과 특징」, 『동아시아 문화와 예술』S, 2009, pp. 76-114.
국립문화재연구소, 『미국 보스턴미술관 소장 한국문화재』, 국립문화재연구소, 2004.
국립문화재연구소, 『미국 브루클린박물관 소장 한국문화재』, 국립문화재연구소, 2006.
국립중앙박물관, 『고려불화대전: 700년 만의 해후』, 국립중앙박물관, 2010.
국립중앙박물관, 『미국, 한국 미술을 만나다』, 국립중앙박물관, 2012.
菊竹淳一 · 鄭于澤, 『高麗時代의 佛畵』, 시공사, 1997.
문명대, 『고려불화』, 열화당, 1991.
박영숙, 「Amitabha Triad : A Koryo Painting in the Brooklyn museum」, 『三佛 金元龍敎授 停年退任紀念論叢』 2, 일지사, 1987.
삼성미술관 Leeum, 『細密可貴: 한국미술의 품격』, 삼성미술관 Leeum, 2015.
신광희, 『한국의 나한도』, 한국미술연구소, 2014.
양희정, 「고려시대 아미타팔대보살도 도상 연구」,『美術史學硏究』257, 2008 pp. 67-103.
유마리, 「高麗 阿彌陀佛畵의 硏究 – 坐像을 中心으로」, 『佛敎美術』6, 1981, pp. 26-52.
유마리, 『아미타 불화의 연구』, 문화재청, 2013.
정우택, 「高麗佛畫에 있어서 圖像의 傳承」, 『美術史學硏究』192, 1991, pp. 5-25.
정우택, 「미국소재 한국불화 조사 연구」, 『東岳美術史學』13, 2012, pp. 33-63.
홍윤식, 『고려 불화의 연구』, 동화출판공사, 1984.
일문
繭山順吉, 『龍泉集芳 : 創業七十周年記念』, 繭山龍泉堂, 1976.
菊竹淳一 · 吉田宏志, 『高麗仏画』, 朝日新聞社, 1981.
菊竹淳一 · 鄭于澤, 『高麗時代の仏画』, 時空社, 2000.
大和文華館編, 『特別展高麗仏画 : わが国に請来された隣国の金色の仏たち』, 大和文華館, 1978.
鄭于澤, 「高麗時代の阿弥陀八大菩薩図：広福護国禅寺所蔵阿弥陀八大菩薩図を中心として」, 『大和文華』75, 1986, pp. 17-28.
鄭于澤, 「高麗時代の阿弥陀仏三尊図」, 『泉屋博古館紀要』5, 1988, pp. 50-70.
鄭于澤, 「高麗阿弥陀八大菩薩図の変容」, 『大和文華』80, 1988, pp. 1-16.
鄭于澤, 「新出の高麗時代 地蔵菩薩図」, 『大和文華』99, 1998, pp. 1-15.
鄭于澤, 「高麗時代の羅漢畵像」, 『大和文華』92, 1994, pp. 35-49.
特輯 高麗佛畵, 『国華』1313, 2005.
영문
Chang, Qing. “Form and References of the Goryeo Painting of the Rocana Assembly in the Museum of Fine Arts, Boston.” Journal of Korean Art and Archaeology 7, 2013, pp. 8–19.
Chung Woothak. “Iconography, Technique and Context in Koryo Buddhist Painting.” In New Perspectives on Early Korean Art: From Silla to Koryo, by Youn-mi Kim. Cambridge, MA: Korea Institute, Harvard University, 2013.
Fenollosa, Ernest Francisco. Epochs of Chinese and Japanese Art: An Outline History of East Asiatic Design, vol. 1. London: W. Heinemann, 1912.
Freer Gallery of Art and Arthur M. Sackler Gallery. Korean Art in the Freer and Sackler Galleries. Washington, DC: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, 2012.
Freer Gallery of Art and Arthur M. Sackler Gallery. Paths to Perfection: Buddhist Art at the Freer|Sackler. Washington, DC: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, 2017.
Galeries de MM. Durand-Ruel. Collection Ch. Gillot: Objets d'art et peintures d'Extreme‑Orient. Paris: Galeries de MM. Durand-Ruel, 1904.
Kang Soyon. “The Moon Reflected in the Water: The Miraculous Response of Avalokitesvara in 'Water-moon Avalokitesvara Paintings' of the Goryeo Dynasty." The Eastern Buddhist 47, no. 1, 2016, pp. 29–55.
Kim, Hongnam. “A Korean Buddhist Triad in the Burke Collection.” Orientations 21, no. 12, 1990, pp. 46–58.
Kim, Hongnam. The Story of a Painting: A Korean Buddhist Treasure from the Mary and Jackson Burke Foundation. New York: Asia Society Gallery, 1991.
Kim, Kumja Paik. Goryeo Dynasty: Korea’s Age of Enlightenment, 918–1392. San Francisco: Asian Art Museum, 2003.
Lawton, Thomas and Linda Merill. Freer: A Legacy of Art. Washington, DC: Freer Gallery of Art, Smithsonian Institution; New York: H. N. Abrams, 1993.
Lippit, Yukio. “Goryeo Buddhist Painting in an Interregional Context.” Ars Orientalis 35, 2008, pp. 192–232.
Metropolitan Museum of Art. Arts of Korea. New York: Metropolitan Museum of Art, 1998.
Moes, Robert J. Korean Art from the Brooklyn Museum Collection. New York: Universe Books, 1987.
Portal, Jane, Hee Jung Lee, and Suhyung Kim. Arts of Korea. Boston: Museum of Fine Arts, Boston, 2012.
Poster, Amy. Journey Through Asia: Masterpieces of Asian Art in the Brooklyn Museum of Art. Brooklyn, NY and London: Brooklyn Museum of Art and Phillip Wilson Publishers, 2003.
Williams, Marjorie L. “Korean Art in Western Collections: Korean Art in the Cleveland Museum of Art.” Korean Culture 3, no. 4, December 1982, pp. 4–17.
Yonemura, Ann. “A Pioneer Collection of Korean Art.” Apollo 118, August 1983, pp. 150–52.
Yonemura, Ann. “Korean Art in Western Collections 5: Korean Art in the Freer Gallery of Art.” Korean Culture 4, no. 2, 1983, pp. 4–15.
