1. Bought from Tonying & Co. Inc., New York, N.Y. For price, see Freer Gallery of Art Purchase List after 1920.
2. (A. G. Wenley, 1939) G. D. Wu in his Prehistoric Pottery of China, pp. 41-42, says that this type of pottery is made of china clay or kaolin, the softness of the clay being due to the low temperature [c. 900-1000 C.] in which it was baked. The ware is made by the beater process, the impression of the beater being destroyed and the surface smoothed with the wet hand; hence the apparently polished surface. The carved design is similar to that on bronzes of the period. The repair in the neck of the jar is a reconstruction of a lost piece. The two registers of decoration are on: (1) the shoulder where a formal dragon design is shown; (2) rows of zigzag bands of meander pattern separated by undecorated zigzag bands.
3. (L. A. Cort, exhibition label, 1986) The rare Shang white pottery has been found in such small quantities, all in the vicinity of the late Shang capital at Anyang, that it may have been the product of a single specialized workshop. The brittle ware, formed from pure white clay, was probably made for ceremonial and burial purposes. The carved and stamped motifs on white pottery resemble bronze vessel decor but developed as an independent sequence.
4. (L. A. Cort, exhibition label, "Chinese Ceramics," Gallery I, Case I: "Early Chinese Earthenware," March 1987 - July 1988) The earliest Chinese pottery was made in Neolithic sites in the Yellow River valley. The earthenware of the Yang-shao culture was shaped thinly by hand, painted with distinctive local styles of designs, and fired to a low temperature. Some potters continued to produce earthenware during the Shang dynasty (ca. 1523 - ca. 1050 B. C.), when the stately vessels, no longer painted, reflected the molded decoration of ritual bronze vessels. Other Shang-dynasty potters were already developing the techniques of firing clay to a high temperature and applying glazes.
5. (Yagi Akira, ceramic artist, Kyoto, 4 October 1994) The piece is carved by hand, not molded. The clay is not vitrified; it resembles the kind of clay known in Japan as gairome.
6. (Liu Xinyuan, Director, Jingdezhen Institute of Ceramic Technology; 11 October 1994) What is the red pigment?
7. (Louise Cort, 12 February 2002) Added "Henan province, Anyang."
8. (Louise Cort, 18 October 2002) Dimensions: "Mouth: 12.8, Foot: 13.0
[TCK, 21 Dec 2001, above dimensions]" deleted.
9. (Louise Cort, 27 April 2009) Jan Stuart, Keeper of Asia, British Museum, recommended restudying this pot to determine the degree to which it is intact and all the components are authentic.
10. (S. Kitsoulis per Keith Wilson, 7 July 2010) Added "with dragons" to title; changed period one from Shang to Late Shang dynasty; added period two "Early Anyang period."
11. (Jeffrey Smith per Keith Wilson, April 7,2020) Title changed from "ca. late 13th-early 12th century BCE" to "ca. 1225-1175", "Shang dynasty" to "Late Shang dynasty."
12. (YinYing Chen per Keith Wilson, February 9, 2023)
Change title from "Jar" to "Storage jar (lei)."
Change date from "ca. 1225-1175 BCE" to " ca. 1200 BCE."
Change period two from "Early Anyang period" to "early Anyang period."
Change geography from "China, Henan province, Anyang" to "China, probably Henan province, Anyang."
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