Southend–The Pleasure Yacht F1905.120a-b: Curatorial Analysis | Whistler in Watercolor

Maker nationality and date: 1834-1903

Date(s): 1882-1884

Medium: Watercolor on paper

Dimension(s): H x W: 44 x 35.6 cm (17 5/16 x 14 in)

Credit Line: Gift of Charles Lang Freer

Object Number: F1905.120a-b

Production location: England, Southend-on-Sea

Theme: Seascape

Signature(s): Unsigned.

Provenance: To 1905
Thomas Way Sr. (1827-1915), London, or Thomas Robert Way (1861-1913), London, to 1905 [1]

From 1905 to 1919
Charles Lang Freer (1854-1919), purchased from Thomas Way Sr. or Thomas Robert Way in 1905 [2]

From 1920
Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]

Notes:

[1] See Original Whistler List, Paintings, pg. 20B, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many Whistler works. Thomas Way Sr. acquired several of these works at the time of Whistler’s bankruptcy, and he passed some of them on to his son (see The Correspondence of James McNeill Whistler, 1855-1903, ed. Margaret F. MacDonald, Patricia de Montfort and Nigel Thorp, On-line Edition, People, biographies of Thomas Way and Thomas Robert Way; http://www.whistler.arts.gla.ac.uk/correspondence).

Charles Lang Freer acquired many Whistler pieces from the Ways. However, museum records do not always specify whether it was the younger or elder Way who was the source of a particular object. Further, archival sources indicate that the junior Way sometimes acted on behalf of his father: whilst negotiating the sale of his own Whistler works to C.L. Freer, he would concurrently negotiate the sale of some of his father’s Whistler works to Freer. In cases where it is unclear whether it was the junior or senior Way who actually owned a piece acquired by C.L. Freer, the provenance record will simply state that the object was purchased from “Thomas Way Sr. or Thomas Robert Way.”

[2] See note 1.

[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

Exhibition History: Freer Gallery of Art, American Paintings, Pastels, and Water Colors, and Drawings. J.A.McN. Whistler, May 2, 1923 to January 7, 1924

Selected Curatorial Remarks: 1. Glazer, Jacobson, McCarthy, Roeder, wall label, 2019:
While traditional landscapes held little interest for Whistler, he claimed, "The sea to me, is, and always was, most fascinating!" Rendered with simplicity, his seascapes of Southend, a popular seaside destination south of London, rely on broad washes of color with sparse detail. Whistler was a master at creating a mixture of pigments that produced a tonally balanced palette. His seascapes were often organized in a three-part composition of sky, sea, and shore.
2. Katherine Roeder, 2018:
Changed title from "Southend: The Pleasure Yacht" to "Southend–The Pleasure Yacht" and changed date from "early 1880s" to 1882-1884. Southend scenes were painted after JMW's supply purchase in fall of 1881, and prior to the spring Dowdeswell Gallery exhibition of 1884.

Selected Published References: 1. Curry: James McNeill Whistler at the Freer Gallery of Art, Pg. 183
Again, size and handling relates this watercolor to the foregoing works. Wind fills the mauve-grey sails of the pleasure yacht. In contrast, an anchored "lighter" with furled sails is placed in the midground. Lighters were among the workhorses of river traffic, used to move goods from place to place. Southend: The Pleasure Yacht reminds us that Whistler, like his contemporaries in France, was interested in depicting the leisure activities of the urban bourgeoisie. Middle-class leisure was earned--pleasure was one of the rewards of work.

Catalogue Raisonne number: M891
MacDonald Catalogue number

Previous owner(s): Thomas Way Sr. (1837-1915)
Thomas Robert Way (C.L. Freer source) (1861-1913)
Charles Lang Freer (1854-1919)

CC0 - Creative Commons (CC0 1.0): This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections..

Southend–The Pleasure Yacht

Web Resources